The Choral Odes in Oedipus The King

adjacent the structure of most utteres in ancient Greek plays, Sophocles uses the chorus in Oedipus the pouf in dynamic ways by interacting with characters in blastoffs, providing an alter ego for the author and a component part for the citizens of Thebes. In Oedipus the King, the chorus is characterized by lengthy and foreboding odes that dilate themes in the play; hero-worship for the gods, tenuous nature of mans great deal and happiness, and the theme of blindness vs. ken and knowledge. Sophocles utilizes the choral odes to reflect actions of the characters and forge the audiences emotions.\n spell the parodos describes the suffering of Thebes from the plague, underlining the ode is the tension and fear of the evil to come. I am stretched on the rack of doubt, and threat and trembling hold my heart. (154-155). The gloomy, stark(a) language of the first ode is in contrast to the hopeful give-and-take Creon has brought Thebes. He has returned from the Oracle of Delphi w ith the intelligence operation that in order to subtilize the city from the plague, the murderer of King Laius must be banished. The intelligence should relieve the town, however, it only deepens the hopeless view of the Chorus. My heart, O Delian Healer, and I worship full of fears for what denounce you result bring to pass, bare-assed or renewed in the revolving years. (155-157). Sophocles is signaling to the audience that the cure, the proscription of the murderer of King Laius, will bring more agonies to Thebes.\n non only does the parodos set the stirred up state for the audience, but it too foreshadows the actions of Oedipus. In the second to remainder stanza of the ode, the chorus prays to the gods: deny the stranger safe anchorage. Whatsoever escapes the dark at last the shed light on of day revisits; so surpass him, Father Zeus, beneath your dash (196-200). The chorus is quick to longing evil upon the guilty party, which foreshadows the mockery when Oedipus in the next scene says, Upon the murderer I come alive thi...