Philosophic Principles of Creativity :: Philosophy Philosophical Papers

Philosophic Principles of CreativityABSTRACT The principle of universal import of the creative process is promoted in this thesis. The principles of the ecology of creation and of the subjects humanistic druthers of the cognitive and practical activity, will also be investigated. 1. Nowadays the progress of a new world outlook look-alike of global creativeness has a place.The understanding of the nature of creation in the history of doctrine has always been connected with the explanation of the substance and of the mechanisms of creative activity. If asked - how creation in general is possible, what are its necessary premises and impulses - the answer was given aut of the ternion God /Plato, G.W.F.Hegel, N.Berdyaev/, Nature /Epicurus, B.Spinoza, H.Bergson/, Human Being /C.A.Helvetius, K.Marx, J.P.Sartre/. Such abilities of the human beeng as intuition, imagination and fantasy give up been united in the mechanisms of creation. Some thinkers have been explaining them through per ceiving using the eyes of mind of evidently clear neat ideas /R.Descartes, I.Kant, E.Husserl/, some others - just vice versa - opposed those concepts of mind and logic, finding in them the way to some instant perceiving of the essence of things - a sign of betoken revelation and beneficy /St. Augustine, A.Shopenhauer, E.H.Gilson/.The principal difference in the idea of global creative thinking consists in the admission of the ontological status of creative processes, of their quality of cosmos primary as some maximum totality. The attention is drawn to the subjects offer - considering activity considered as a certain stage /link/ in the global teleological processes of the universal. Considering the metaphysical point of view, creation is a primeval process of spontaneous transcendence of potentials and virtualities, of permanent development in the sphere of influence of universal posibilities. All of the existing material, semiotic and ideal structures expose themselves as ce rtain products /events/ of creative processes. Their former, actual and future existance finally depends on the varied direction and on the forms of realisation of the potentials of creativity.2. The new world outlook paradigm of global creativity correlates harmoniously with the fundamental principles of modern natural science. It is worthy mentioning that the understanding of physical reality as a set of unalike assemblies of events and relations, having as a result, the appearance of separated substantial material objects /N.Bohr, K.Hubner/. An crucial methodological role in modern cosmology is played by the so called antropic principle. According to that principle the significance of the universal physical constants - and that fashion all the outlook of the Universe known to us - is the only angiotensin converting enzyme possible for the appearance and existence of the human being in it /S.