Synthesizer

To make this synth, I unresolved up the ES2 synthesiser in Logic, changed the coifting to series, turned on poly and made sure it was in unison and opened up a second and third waveform. Next, I split the waveforms evenly using the keen triangle fgure. I sort out a cutoff to 1 and 2, and apply envelope 2 for the cutoff. Finall(a)y, I turned both cut correcttings all the way to the right from this I got an upbeat dance- style synth that Id be content to use on any dancepop/electro track that I was trying to causeSynth 2 For this next tutorial, I wanted to have synthesized drums, so I made a basic drum pattern in ultrabeat opened up the ES2 synthesizer. The first thing I did once I had the ES2 synthesizer open was change the default pre personate to plain sine. Next, shorten the rape significantly. Then, I shortened to the decay to a little less than half, took aside all of the sustain, then shortened the release to about 1/6. Then, I changed the settings so that the pitch will be modulated by envelope 2.After, I turned on the filter nd set the incur to about 0. 10 to give some realistic harmonics. Finally, I set the sine level up a bit to give a bit more of a bass sound and voila The perfect synth percussion section to add to a d&b or rap track. Synth 3 For synth number three, I set out to make a planetary hold/techno-type synthesizer. I opened up my ES2 synthesizer. First, I set the first hold to sine and right clicked down to number 59 cryl and lowered the personal credit line to -17s. Next I enabled the second channel, put it on a saying tooth and lowered it to -24.Next I enabled the third hannel, went to sine and set it up to vox3 and set this one to -36s. Brought the icon in the triangle to the center so the sounds atomic number 18 balanced, then turned the analog halfway up. I went to the top and set it to ono and brought the voices down to 4, set the distortion to about 13. 600db. Finally, I routed envelope 1 to cutoff 2 and set cuto ff 2 down to O. Lastly, I set the decay up, however, I also like it when I set the decay all the way down, yet still making for a delightfully electronic sound that would fit any good house/techno trackSynth History Perhaps the first fully electronic official document came along Just before the turn of the 20th century, in 1899, when William Duddell took engineering used in the carbon arc lamp, which was known for making a lot of noise, from a high-pitched whistle down to a low hum. Duddell had the lamp examined and his workers cuncluded that the more voltage the lamp received, the higher the pitch of the sound it gave off would be. Duddell dependant a keyboard up to the lamp and tentatively titled it, The Singing Arc, olibanum birthing the first fully-functional electronic instrument